We shouldn’t act like it’s unusual if a woman has power, and turning everything pink and flowery to appeal to women can be “ sexist and demeaning.” Other critics of the word “girlboss” say it’s needlessly gendered “ patronizing” - women who are bosses are just bosses. Hanna’s “creating conflict out of thin air” and beefing “with everyone she’s ever interacted with” gave off an air of “taking back her power,” as a so-called girlboss does in this day and age. TikTok user identified a recent example of being a “girlboss” or “girlbossification” in the reemergence of Gabbie Hanna, a Vine star turned YouTuber who, after months of relative silence, spent several days calling out critics of her 2017 poetry book. Being a “girlboss” in the early 2010s was considered a good and impressive thing, but now, Gen Z considers it a “cringe” sign of trying too hard to further oneself. Someone who gaslights and gatekeeps generally isn’t a great person, which is why the inclusion of “girlboss” in the phrase is so interesting. ![]() In the same way, the term’s popularization makes the behavior easier to call out. Gatekeeping, like gaslighting, is a term that describes a manipulative behavior made popular on the internet. There’s a whole gatekeeping subreddit dedicated to calling out this behavior. If a punk music fan tells you that you can’t wear that shirt if you can’t name five Nirvana songs, that’s gatekeeping. Gatekeeping is, according to Urban Dictionary, “when someone takes it upon themselves to decide who does or does not have access or rights to a community or identity.” It’s used to make the gatekeeper feel superior to others on the outside or more deserving of an identity.įor instance, maybe you’re wearing a Nirvana shirt from Urban Outfitters. “Gaslight, gatekeep, girlboss” doesn’t encourage gaslighting - it pokes fun at people who do, and thus makes it easier to identify and destigmatizes calling it out. She identified this to her audience as gaslighting, and she told In The Know that it helped her audience realize that exact thing had been happening to them, though they didn’t know what to call it. ![]() The producer, DJ and label owner has always worn his UK dance music influences proudly on his sleeve, and his latest outing on the Ton Tan EP continues in much the same vein, with three new originals incorporating breakbeat house, UK funky-influenced percussion, and proto-dubstep wobbles.Ĭlosing out the release is Tim Reaper, one of the vanguard of the jungle revival, on the remix for the EP’s title track - an all-out assault of hoovers and upfront breaks.For instance, in December, TikToker Dana Pizzarelli went viral for calling out her boyfriend who denied doing something she saw happen with her own eyes. Since then, his tracks have been supported by the likes of Ben UFO, DJ Q, Jamz Supernova, Conducta and Soichi Terada, with releases on Time Is Now, Kouncil Cuts, and his own co-run label NC4K. The trajectory of Kyoto-based Stones Taro and Scuffed Recordings have been intertwined since their earliest days, with Taro releasing one of the first EPs on Scuffed back in 2017 and releasing regularly with Ian DPM and Wager's label ever since. Stones Taro returns to Scuffed Recordings with three new UK-tinged club tracks, backed by a remix from Tim Reaper. scuffedrecs/stones-taro-ton-tan-ep-previews
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